Writers Wreaking Havoc

Writers Wreaking Havoc

Between two evils, I always pick the one I never tried before.

Mae West said that, and she should know.   To a regular human, that sentiment may be a recipe for disaster, but to a writer, those words should be voluptuous pieces of seductive advice.

One of the really cool things about writing is the power you wield with your words.  YOU are the evil ruler of the universe, and everything must bend to your superior will.
Really.  You can write the story however you want.  You can make horrible things happen to the good guys while the bad guys sit around and drink beers.  Or, you can take every last thing that your heroine cares about and toss it off the boat.  Add sharks if you like.  Then sink the boat.  See what I mean?

Any time you’re stuck in your writing, whip up your handy-dandy evil laugh (check out Dr. Horrible, if you need inspiration) and start wreaking havoc.  Need to spice up a slow scene?  Spend a little time thinking about “worst case scenarios” and then add the one that triggers the most trouble for your character.  When she gets past that, toss in a new disaster.  In no time, you’ll be commanding fire and brimstone with the best of them .

I’m not suggesting that you add ray-guns to your historical romance or blood on the sheets to your hard-boiled sci-fi, but you can find a clever (and reasonable) calamity to add to any story line if you spend a little time thinking about it.  You alone have the power.

Remember that people love to read about the terrible things that happen to other people, especially if your underdog can figure a way to survive (or even triumph!) in the end.  So, the next time you find yourself reluctant to edit a section of your writing because it’s just not that compelling, get out your Death Stick and make some evil things happen.  (And if you end up with some really nasty success, tell us about it in the comments!) Come on people, let’s be writers wreaking havoc!

1 thought on “Writers Wreaking Havoc”

  1. Fiction writing allows you to insert a shark when you need one. Writers of non-fiction, journalists, need to find the sharks and describe what they eat, when, and where. Occasionally we find out also the why. Both genres, when well done, illuminate our reader’s minds.
    Lately, some writers, mostly screen writers, take the liberty of presenting fiction as documentary (The Social Network). Let’s condemn them as their work hurts both genres.

    Here is a piece from The Economist I read a while back that stuck in my mind.

    Out with the long
    Oct 7th 2004 | from the print edition

    “Short words are best”, said Winston Churchill, “and old words when short are the best of all.”

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